Dahlia Ravikovitch o la llibertat de la imaginació Authors Eduard Feliu Abstract Since the publication of her first collection of poems, entitled Ahavat tapuah ha-zahav [The love of the orange], in 1959, Dahlia Ravikovitch has steadily progressed along a path which has led her to the front line of the leading contemporary poets writing in Hebrew. Born in Ramat-Gan in 1936, her family moved to a kibbutz when she was six years old, following the death of her father in a traffic accident, an irreparable loss which had a profound and traumatic impact on the personality of the future poet, who alludes to the incident in several of her poems. Later, when she was twelve, she lived in Haifa and went on to study at the Hebrew University of Jerusalem at a time (before the so-called Six Day War in June, 1967) when the new city was still separated from the old by a cement wall. She now lives in Tel-Aviv. She has worked as a teacher and a drama critic and has translated numerous works of childrens fiction, a field in which she is also the author of a dozen or so original works. She has received two of the most prestigious awards in Hebrew culture: the Bialik Prize and the Israel Prize, and her work enjoys great popularity. All the great Hebrew-language poets of our time, but especially Alterman, Shlonsky, Ratosh, Goldberg, Zakh, Amihai and Guilboa (the latter having overtaken the former in her scale of preference), as well as the non-Jewish poets, Yeats and T.S. Eliot, have left their mark on the poetry of Dahlia Ravikovitch, who has nonetheless found a style all her own in which to express, not without a measure of provocativeness, her human experience as a Jewish woman who was born and lives in Israel. The hardships of her childhood, suffering, frustration, the distress caused by death, her unhappy relationship with adults, her resignation when faced with adverse personal circumstances and, in recent years, a keen awareness of the need to work and be personally committed to peace between Israelis and Palestinians, are recurrent themes in her poems. Dahl Downloads Download data is not yet available. Downloads Text complet (Català) Published 2004-11-18 Issue Vol. 4: 2002-2003 Section Articles License The intellectual property of articles belongs to the respective authors.On submitting articles for publication to the journal TAMID. Revista Catalana Anual d’Estudis Hebraics, authors accept the following terms:Authors assign to Societat Catalana d’Estudis Hebraics (a subsidiary of Institut d’Estudis Catalans) the rights of reproduction, communication to the public and distribution of the articles submitted for publication to TAMID. Revista Catalana Anual d’Estudis Hebraics.Authors answer to Societat Catalana d’Estudis Hebraics for the authorship and originality of submitted articles.Authors are responsible for obtaining permission for the reproduction of all graphic material included in articles.Societat Catalana d’Estudis Hebraics declines all liability for the possible infringement of intellectual property rights by authors.The contents published in the journal, unless otherwise stated in the text or in the graphic material, are subject to a Creative Commons Attribution-NonCommercial-NoDerivs (by-nc-nd) 3.0 Spain licence, the complete text of which may be found at https://creativecommons.org/licenses/by-nc-nd/3.0/es/deed.en. Consequently, the general public is authorised to reproduce, distribute and communicate the work, provided that its authorship and the body publishing it are acknowledged, and that no commercial use and no derivative works are made of it.The journal is not responsible for the ideas and opinions expressed by the authors of the published articles.