Yona Wallach o la llum salvatge Authors Eduard Feliu Abstract Although it may be unnecessary to place Yona Wallach in the frame of a specific country or of a given time in order to appreciate her poems, it can nevertheless be useful to give the reader some essential biographical data that may in some degree allow him or her to understand more deeply the despairing cry in Wallachs poems. Yona was born in Kfar Ono, a suburb of Tel-Aviv on the 10th June 1944. Her father, Mikhael Wallach, was killed in Israels War of Independence in 1948. To honour his heroic death, a street in Kfar Ono was named after him.The memory of her father, converted into a myth, is one of the most active elements in Yona Wallachs poetry. She was an awkward adolescent, full of problems with her mother and driven by ambivalent sexual tendencies. She refused to finish high school, but studied art in Tel-Aviv at the Avni Institute of Art in 1961. At the same time, she wrote poetry, for which she had had a passion since reading Walt Whitman at thirteen. Among the events that marked her life, we should bear in mind that during the winter of 1964, the year in which her first poems were published, she committed herself to a psychiatric hospital owing to her symptoms of phobia and hallucination. While still very young, she had an abortion (see the poem «Absalom» in relation to the ambiguous feelings prompted by that incident). In the early sixties Yona Wallach became part of a group of avant-garde poets seeking new directions in the formulation of Israeli poetry. The group formed around Wieseltier and included Hurwitz, Shabtai, Shammas, Someck, Silk, and others with whom Yona maintained deep literary relations and shallow love affairs. She was hospitalized again in 1972 following a suicide attempt. In December 1982, doctors diagnosed the breast cancer that was to lead to her untimely and painful death in September 1985. She was 41 years old, like Rachel, the famous poetess (1890-1931), of whom she came to believe in all sincerity that she was the reincarnation. Downloads Download data is not yet available. Downloads Text complet (Català) Published 2003-01-16 How to Cite Feliu, E. (2003). Yona Wallach o la llum salvatge. TAMID. Revista Catalana Anual d’Estudis Hebraics. Annual Catalan Journal of Jewish Studies, 3, 119–154. Retrieved from https://revistes.iec.cat/index.php/tamid/article/view/7326.001 More Citation Formats ACM ACS APA ABNT Chicago Harvard IEEE MLA Turabian Vancouver Download Citation Endnote/Zotero/Mendeley (RIS) BibTeX Issue Vol. 3: 2000-2001 Section Articles License The intellectual property of articles belongs to the respective authors.On submitting articles for publication to the journal TAMID. Revista Catalana Anual d’Estudis Hebraics, authors accept the following terms:Authors assign to Societat Catalana d’Estudis Hebraics (a subsidiary of Institut d’Estudis Catalans) the rights of reproduction, communication to the public and distribution of the articles submitted for publication to TAMID. Revista Catalana Anual d’Estudis Hebraics.Authors answer to Societat Catalana d’Estudis Hebraics for the authorship and originality of submitted articles.Authors are responsible for obtaining permission for the reproduction of all graphic material included in articles.Societat Catalana d’Estudis Hebraics declines all liability for the possible infringement of intellectual property rights by authors.The contents published in the journal, unless otherwise stated in the text or in the graphic material, are subject to a Creative Commons Attribution-NonCommercial-NoDerivs (by-nc-nd) 3.0 Spain licence, the complete text of which may be found at https://creativecommons.org/licenses/by-nc-nd/3.0/es/deed.en. Consequently, the general public is authorised to reproduce, distribute and communicate the work, provided that its authorship and the body publishing it are acknowledged, and that no commercial use and no derivative works are made of it.The journal is not responsible for the ideas and opinions expressed by the authors of the published articles.