The musical work of the chapel master Antoni Milà: a clear example of functionality and good craftsmanship Authors Montserrat Canela Grau DOI: 10.2436/20.1003.01.147 Keywords: Tarragona Cathedral, liturgical music, 18th century, chapel master, musical types, history of Catalan music, St. Thecla. Abstract A quantitative detailing of a composer’s musical output provides a panoramic view of his work, furthering an understanding of the place and time in which he lived while also providing insight into the past and subsequent reception of his musical corpus. Numerical analysis is also valuable for making connections and comparisons with other musical composers of his time. This article details the surviving musical works of Antoni Milà, who was chapel master of Tarragona Cathedral from 1762 to 1789. Before that, however, he had been chapel master at the church of Santa Maria in Vilafranca del Penedès, and it is in important archives in these two localities where most of his production is to be found. The statistics presented in this study show that this chapel master was a very prolific composer who cultivated a variety of musical types responding to the requirements of the churches in which he worked. The focus of this article must necessarily be a starting point and a concrete basis for future qualitative analytical studies of his work. Downloads Download data is not yet available. Downloads PDF (Català) Published 2025-09-25 Issue Vol. 18 (2025) Section Articles License The intellectual property of the articles belongs to the respective authors. At the time of submitting the articles to Revista Catalana de Musicologia, authors accept the following terms: — Authors assign to the Societat Catalana de Musicologia (a subsidiary of the Institut d’Estudis Catalans) the rights of reproduction, public communication (including communication through social networks) and distribution of the articles submitted for publication to Revista Catalana de Musicologia, in any form and medium, including digital platforms. The Publications Committee reserves the right to accept or refuse submitted articles and the right to make any editorial changes it deems appropriate. If the suggested changes are accepted by authors, they should re-submit the article with such changes. — Authors answer to the Societat Catalana de Musicologia for the authorship and originality of submitted articles. In other words, authors assure that submitted articles do not contain fragments of works by other authors or fragments of their own previously published works; that the content of articles is original, and that the copyright of third parties is not infringed upon. Authors accept this responsibility and undertake to hold harmless the Societat Catalana de Musicologia for any loss or damage resulting from non-compliance with this obligation. Furthermore, they should include a statement in articles submitted to the journal regarding their responsibility for the content of the articles. — Authors are responsible for obtaining permission for the reproduction of all graphic material included in articles, and they should moreover ensure that images, videos, etc., have been created with the consent of the individuals appearing in them, and that material belonging to third parties is clearly identified and acknowledged as such within the text. Likewise, authors should provide the respective consents and authorisations to the Societat Catalana de Musicologia when submitting articles. — The Societat Catalana de Musicologia is exempt from any liability arising from the possible infringement of intellectual property rights by authors. In all cases, it undertakes to publish corrections, clarifications, retractions and apologies, if necessary. — Unless otherwise stated in the text or in the graphic material, the contents published in the journal are subject to an Attribution - NonCommercial - NoDerivs 3.0 Spain (by-nc-nd) license from Creative Commons, the full text of which may be consulted at https://creativecommons.org/licenses/by-nc-nd/3.0/es/deed.en. Therefore, the general public is authorised to reproduce, distribute and communicate articles as long as their authorship and publishing entity are acknowledged, and no commercial use is made of them nor derivative work produced from them. — The journal is not responsible for the ideas and opinions expressed by the authors of published articles.
