Els orgues de Montserrat (II): des del 1811 fins al 2009 Authors Ramon Oranias i Orga Abstract Pau Obradors built the great organ of the basilica of Montserrat in 1830. His work would be continued in time by the Majorcan Joan Puig and by Miquel Bertran. The arrival of a new director of the monastery's music school, Father Guzmán, led to installation of a new organ by Eusebi Nicolau in the church in 1890. Subsequently, the musical activity after the celebration of the millennial of the finding of the holy image of Our Lady of Montserrat prompted a new organ commissioned to Aquilino Amezua to be installed in 1896. After that, the establishment of the organ-maker Silvio Puggina in the town of Collbató led to the acquisition of a new organ for the choirboys in 1922 and Nicolau's organ was transferred to the rehearsal room of the boys' choir. The advance of the reform proposed by the Second Vatican Council caused Amezua's organ, the only one in the basilica, to be installed as the choir organ in the Lower Choir. It was reformed and enlarged by Rafael Puignau of OESA, giving it a neoclassical timbre. Following successive repairs in 1968 and 1992, this instrument was permanently removed in 2009. Mention should also be made of the two organs by Gabriel Blancafort, one in the Throne's Chapel (1969) and the other in the oratory of Saint Fructuosus (1970). Downloads Download data is not yet available. Downloads Text complet (Català) Published 2020-01-15 Issue Vol. 12 (2019) Section Articles License The intellectual property of the articles belongs to the respective authors. At the time of submitting the articles to Revista Catalana de Musicologia, authors accept the following terms: — Authors assign to the Societat Catalana de Musicologia (a subsidiary of the Institut d’Estudis Catalans) the rights of reproduction, public communication (including communication through social networks) and distribution of the articles submitted for publication to Revista Catalana de Musicologia, in any form and medium, including digital platforms. The Publications Committee reserves the right to accept or refuse submitted articles and the right to make any editorial changes it deems appropriate. If the suggested changes are accepted by authors, they should re-submit the article with such changes. — Authors answer to the Societat Catalana de Musicologia for the authorship and originality of submitted articles. In other words, authors assure that submitted articles do not contain fragments of works by other authors or fragments of their own previously published works; that the content of articles is original, and that the copyright of third parties is not infringed upon. Authors accept this responsibility and undertake to hold harmless the Societat Catalana de Musicologia for any loss or damage resulting from non-compliance with this obligation. Furthermore, they should include a statement in articles submitted to the journal regarding their responsibility for the content of the articles. — Authors are responsible for obtaining permission for the reproduction of all graphic material included in articles, and they should moreover ensure that images, videos, etc., have been created with the consent of the individuals appearing in them, and that material belonging to third parties is clearly identified and acknowledged as such within the text. Likewise, authors should provide the respective consents and authorisations to the Societat Catalana de Musicologia when submitting articles. — The Societat Catalana de Musicologia is exempt from any liability arising from the possible infringement of intellectual property rights by authors. In all cases, it undertakes to publish corrections, clarifications, retractions and apologies, if necessary. — Unless otherwise stated in the text or in the graphic material, the contents published in the journal are subject to an Attribution - NonCommercial - NoDerivs 3.0 Spain (by-nc-nd) license from Creative Commons, the full text of which may be consulted at https://creativecommons.org/licenses/by-nc-nd/3.0/es/deed.en. Therefore, the general public is authorised to reproduce, distribute and communicate articles as long as their authorship and publishing entity are acknowledged, and no commercial use is made of them nor derivative work produced from them. — The journal is not responsible for the ideas and opinions expressed by the authors of published articles.
