Eterotopie et eteronomie nella lettura dei canzonieri galego-portoghesi

Abstract

Within the sphere of Hispanic medieval lyric poetry and above all in the examination of its vectors, one often observes an unwarranted rejection of codicologic data owing to phenomena of heterotopy (arguments based on scientific premises other than the pertinent premise) and of heteronomy (evaluations based on unscientific criteria). Such phenomena frequently invalidate otherwise worthy contributions. Three examples are considered in relation to matters attributive (the tenson Vós que soedes en corte morar), stemmatic (the identification of possible interposals among Colocci?s apographa and their common antecedent) and textual (the structure of the refran of Medinho?s cantiga).