Views on Antigone: Transgression as a Mandate from Sophocles to Marguerite Yourcenar

Authors

  • Montserrat Gallart i Sanfeliu Universitat Autònoma de Barcelona

Keywords:

transgression, freedom, mercy, conscience, tyranny

Abstract

Antigone, the paradigmatic victim of a very concrete form of male violence, is presented to us, in Sophocles, the Greek cinema of the 20th century, as well as in Marguerite Yourcenar's short story, as a firm woman, convinced of her righteousness. Her decision to bury her condemned brother, in opposition to the established powers that be, makes her a transgressive heroine. Hers is an example of total love with a tragic conclusion, and her actions show the loneliness of those who love alone. As other heroines of Greek tragedies —Electra, Clytaemnestra—, she completely embraces her destiny and refuses to play the social ace that she might have been dealt. Keeping her essence, Yourcenar’s Antigone has jumped forward in time and has adapted to the century in which it was written.

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Published

2012-11-05