Andalusia, Transvestism and the Phallic Woman: Plumas de España, by Ana Rossetti Authors Jill Robbins The University of Texas at Austin Keywords: fetishism, transvestism, transition, Andalusia, folklore Abstract Plumas de España by Ana Rossetti denounces the absence of both women and Andalusia in the public space throughout Franco’s dictatorship and the transition to democracy, as well as their fetishization. Rosseti contrasts the figures of her transvestite and transsexual characters, as models for the emergence of new identities through the exploration of the kitsch and the folkloric, with stereotyped feminine characters, like the “Miss priss” through which the narration is focalized. She also proposes a hyperbolic femininity that excludes women by fetishizing them by means of a story that gives visibility to the mechanisms by which women, especially Andalusian women, have been traditionally controlled, devalued, and even castrated. Downloads PDF (Català) Published 2010-10-08 Issue No. 15 (2009): Mujeres y naciones Section Dossier License The Author retains ownership of the copyright in this article, unless the opposite is expressed, and all rights not expressly granted in this agreement, including the nonexclusive right to reproduce, distribute, perform, and display the article in print or electronic form, and grants, Lectora: revista de dones i textualitat the exclusive rights to print publication of the Article for a period beginning when this Agreement is executed and ending twelve (12) months after the first publicaton of the work in this Journal. After this time, the work will be available under a Creative Commons Attribution-Noncommercial-No Derivative Works license, by which the article must be credited to the Author and the Journal be credited as first place of publication. Beginning twelve (12) months after the article´s first publication, the Author is free to enter in seperate, additional contractual agreements for the non-exclusive distribution of the work as published in this journal. The Author is encouraged to post the work online (eg in institutional or subject repositories, or on their website) after the exclusivity period of twelve (12) months has expired, as it can lead to productive exchanges as well as a greater citation of the published work (see The Effect of Open Access).