Woman and Citizenship: The Cases of Concha Zardoya and Juana Castro

Authors

  • Margaret Persin Rutgers University

Keywords:

poetry, citizenship, gender, performativity, Franco’s regime, immigration

Abstract

The poetry of Concha Zardoya and Juana Castro is interpreted in this article from the point of view of citizenship, understood as a performative act and framed by the space-time axis. It analyzes thus the ways in which these authors evoke the past in
order to exorcize the present. Zardoya presents a difficult conceptualization of the term “citizenship”. In her poetry she invokes landscapes which are chief in the history of Spain in order to integrate values of community and patriotism, which are far away from those imposed by the regime, and from which women can develop a new role as citizens. Of a more conscious feminism, Castro criticizes in her works the patriarchal system and the hierarchical structures as forms of power, making use of excerpts from the Odyssey to reflect about the present and to vindicate women, immigrants, and those who have been marginalized for an authentic citizenship.

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Published

2010-10-08