¿Máquinas de amar? Sexo y violencia en la literatura y el arte norteamericanos de los sesenta Authors Nieves Alberola Crespo Universitat Jaume I Abstract This article explores the representation of the female body in American Art in the sixties. From Marcel Duchamp's alter-ego Rose Sélavy to Raimond Carver narrative, sexuality and violence are at stake. The construction of women as love machines by Pop Art and Avant-garde, as well as Mel Ramos and Eduardo Paolozzi pin-up girls, are considered expressions of violence against women. Alan Jones's disturbing works and films like The Seven Year Itch of Billy Wilder show how the male gaze builds and destroys women. Downloads PDF (Català) Published 2010-07-06 Issue No. 8 (2002): Psicoanàlisi i diferència sexual. Violència de gènere Section Dossier 2 License The Author retains ownership of the copyright in this article, unless the opposite is expressed, and all rights not expressly granted in this agreement, including the nonexclusive right to reproduce, distribute, perform, and display the article in print or electronic form, and grants, Lectora: revista de dones i textualitat the exclusive rights to print publication of the Article for a period beginning when this Agreement is executed and ending twelve (12) months after the first publicaton of the work in this Journal. After this time, the work will be available under a Creative Commons Attribution-Noncommercial-No Derivative Works license, by which the article must be credited to the Author and the Journal be credited as first place of publication. Beginning twelve (12) months after the article´s first publication, the Author is free to enter in seperate, additional contractual agreements for the non-exclusive distribution of the work as published in this journal. The Author is encouraged to post the work online (eg in institutional or subject repositories, or on their website) after the exclusivity period of twelve (12) months has expired, as it can lead to productive exchanges as well as a greater citation of the published work (see The Effect of Open Access).
