Articles

• The codex Ripoll 74 tonary: New findings about learning music in the 11th century

  Joan Maria Martí Mendoza

  9-54

  • PDF (Català)

• The Cathedral of Valencia’s medieval ordinance non cantetur cantus de orgue vel de contrapunt: a revision of a historiographical myth

  Francesc Villanueva Serrano

  55-81

  • PDF (Català)

• The celebrations in Girona for the double wedding of Anne of Austria with Louis XIII and of Philip IV with Elisabeth of France (1615)

  M. Mar Miranda López

  83-107

  • PDF (Català)

• The Obligacions (duties) of the organist at the Monastery of Sant Pere de les Puelles in 1645

  Jordi Rifé i Santaló

  109-117

  • PDF (Català)

• A babau amidst minuets and other 18th-century dances

  Josep Pujol Coll

  119-136

  • PDF (Català)

• An example of the survival of rhetoric in liturgical music in the last half of the 18th century: A credo in a mass (1778) by Francesc Queralt

  Xavier Daufí Xavier Daufí

  137-168

  • PDF (Català)

• Andreu Fortuny Fábregas (1835-1884): a neglected 19th-century violinist

  Jorge Ramón Salinas

  169-216

  • PDF (Català)

• Traïdoria: a symphonic poem for a cruel story (1893)

  Carles Gumí Prat

  217-238

  • PDF (Català)

• Maurice Ravel’s Bolero: A mystical dance hidden beneath a sensual ballet. An app roach to its symbolic meanings

  Josep Maria Gregori i Cifré

  239-258

  • PDF (Anglès) (Català)
  • PDF
  • PDF (Anglès) (Español)

• A biographical sketch of the musician Joan Flotats i Claramunt (1902-1988). the profession of piano maestro and composer

  Marina Rodríguez Brià

  259-275

  • PDF (Català)