Reciprocities between academic studies and repertoires of oral tradition: The Sibil·la, the Festival of Sant Antoni, Goigs de Pasqua and Missa de to pascal in Mallorca as contexts of interaction Authors Bàrbara Duran Bordoy DOI: 10.2436/20.1003.01.141 Keywords: interactions in musicology, traditional oral music, the Sibil·la, the Festival of Sant Antoni, the Goigs de Pasqua, caramelles, cultural synergies, ethnomusicology studies, historical musicology. Abstract Today, traditional oral music (understood as music passed down from generation to generation) appears to have lost its prominence within the annual festivities calendar. Demographic shifts, factors such as immigration, and the new social and economic structures derived from globalisation may contribute to the decline in the presence of local music. This paper seeks to analyse whether academic studies in ethnomusicology and musicology have a real impact on the contemporary performance of the phenomena they examine. On the other hand, recordings of traditional oral music posted online provide an opportunity to preserve materials that concurrently interact with current and future academic research. Studies on the Mallorca Sibil·la have led to its declaration as intangible cultural heritage; research from a variety of perspectives into the Festival of Sant Antoni has rendered it a popular event among young people; and the Goigs de Pasqua have seen major revival efforts in the wake of the research carried out on this repertoire. These outcomes shed light on the dynamics of reciprocal engagement between the academic and performative worlds. Downloads Download data is not yet available. Downloads PDF (Català) Issue Vol. 17 (2024) Section Articles License The intellectual property of the articles belongs to the respective authors. At the time of submitting the articles to Revista Catalana de Musicologia, authors accept the following terms: — Authors assign to the Societat Catalana de Musicologia (a subsidiary of the Institut d’Estudis Catalans) the rights of reproduction, public communication (including communication through social networks) and distribution of the articles submitted for publication to Revista Catalana de Musicologia, in any form and medium, including digital platforms. The Publications Committee reserves the right to accept or refuse submitted articles and the right to make any editorial changes it deems appropriate. If the suggested changes are accepted by authors, they should re-submit the article with such changes. — Authors answer to the Societat Catalana de Musicologia for the authorship and originality of submitted articles. In other words, authors assure that submitted articles do not contain fragments of works by other authors or fragments of their own previously published works; that the content of articles is original, and that the copyright of third parties is not infringed upon. Authors accept this responsibility and undertake to hold harmless the Societat Catalana de Musicologia for any loss or damage resulting from non-compliance with this obligation. Furthermore, they should include a statement in articles submitted to the journal regarding their responsibility for the content of the articles. — Authors are responsible for obtaining permission for the reproduction of all graphic material included in articles, and they should moreover ensure that images, videos, etc., have been created with the consent of the individuals appearing in them, and that material belonging to third parties is clearly identified and acknowledged as such within the text. Likewise, authors should provide the respective consents and authorisations to the Societat Catalana de Musicologia when submitting articles. — The Societat Catalana de Musicologia is exempt from any liability arising from the possible infringement of intellectual property rights by authors. In all cases, it undertakes to publish corrections, clarifications, retractions and apologies, if necessary. — Unless otherwise stated in the text or in the graphic material, the contents published in the journal are subject to an Attribution - NonCommercial - NoDerivs 3.0 Spain (by-nc-nd) license from Creative Commons, the full text of which may be consulted at https://creativecommons.org/licenses/by-nc-nd/3.0/es/deed.en. Therefore, the general public is authorised to reproduce, distribute and communicate articles as long as their authorship and publishing entity are acknowledged, and no commercial use is made of them nor derivative work produced from them. — The journal is not responsible for the ideas and opinions expressed by the authors of published articles.
