The “voice of silence”: A contemplative prelude to Frederic Mompou’s Música callada

Authors

  • Josep Maria Gregori i Cifré Universitat Autònoma de Barcelona

Keywords:

Frederic Mompou, Saint John of the Cross, Música callada, music and spirituality, 20th-century Catalan music

Abstract

Mompou’s eagerness to explore and to lend sound to new areas of resonance is trans­lated into a language in which consonance and dissonance converge in a kind of vibratory synthesis where the borders between the two come to be diluted. The acoustic ambiguity is transformed into an indefinite tonal ambiguity, without conventional modulations. This study seeks to bring into resonance the mystical experience of Música callada that Mompou endeavoured to achieve on the basis of the texts of Saint John of the Cross, which inspired it. The “voice of silence”, which is the origin and destiny of Música callada, would indeed be the source where the music is hidden, like “that eternal source” of which Mompou sang in Cantar del alma, marked by a design of an austere and almost liturgical sobriety that ex­tends into the “Angelico” which opens this collection. Música callada seems to lead one to the confines of the secret border of silence and to the threshold of a more spiritual than emotional dimension, where music nurtures, articulates and transforms awareness.

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Published

2023-11-30

Issue

Section

Articles