Music at Sant Pere in Ripoll: An approach to its history and to its music holdings Authors Eudald Dantí Roura Universitat Autònoma de Barcelona Keywords: parish church of Sant Pere in Ripoll, music holdings, cataloguing, organists, music chapel, 17th to 19th centuries Abstract The music holdings of the former parish church of Sant Pere in Ripoll, which are kept at the Ripollès Regional Archive (ACRI), comprise 41 boxes, 29 of which contain manuscript scores while 9 hold printed music and one box preserves documents on music theory. Two further boxes contain several fragments of unidentified musical scores. The methodology applied in the catalogue is based on the descriptive cataloguing criteria of the IFMuC project of the Autonomous University of Barcelona (UAB). The data base currently contains 1,032 records, which are distributed into three groups: manuscripts of known or suspected authorship, anonymous manuscripts, and printed works. There are 422 anonymous works listed, while 469 works may be attributed to some 200 authors. The music holdings also contain 141 printed music scores. The majority of the works which have been preserved belong to the usual genres of sacred music. The holdings also include an important collection of instrumental scores, among which the verses for organ are particularly significant. Pieces for instrumental and vocal-instrumental ensembles such as transcriptions of arias and other opera-related fragments from the 19th century should also be mentioned. Downloads Download data is not yet available. Downloads PDF (Català) Published 2023-11-30 Issue Vol. 16 (2023) Section Articles License The intellectual property of the articles belongs to the respective authors. At the time of submitting the articles to Revista Catalana de Musicologia, authors accept the following terms: — Authors assign to the Societat Catalana de Musicologia (a subsidiary of the Institut d’Estudis Catalans) the rights of reproduction, public communication (including communication through social networks) and distribution of the articles submitted for publication to Revista Catalana de Musicologia, in any form and medium, including digital platforms. The Publications Committee reserves the right to accept or refuse submitted articles and the right to make any editorial changes it deems appropriate. If the suggested changes are accepted by authors, they should re-submit the article with such changes. — Authors answer to the Societat Catalana de Musicologia for the authorship and originality of submitted articles. In other words, authors assure that submitted articles do not contain fragments of works by other authors or fragments of their own previously published works; that the content of articles is original, and that the copyright of third parties is not infringed upon. Authors accept this responsibility and undertake to hold harmless the Societat Catalana de Musicologia for any loss or damage resulting from non-compliance with this obligation. Furthermore, they should include a statement in articles submitted to the journal regarding their responsibility for the content of the articles. — Authors are responsible for obtaining permission for the reproduction of all graphic material included in articles, and they should moreover ensure that images, videos, etc., have been created with the consent of the individuals appearing in them, and that material belonging to third parties is clearly identified and acknowledged as such within the text. Likewise, authors should provide the respective consents and authorisations to the Societat Catalana de Musicologia when submitting articles. — The Societat Catalana de Musicologia is exempt from any liability arising from the possible infringement of intellectual property rights by authors. In all cases, it undertakes to publish corrections, clarifications, retractions and apologies, if necessary. — Unless otherwise stated in the text or in the graphic material, the contents published in the journal are subject to an Attribution - NonCommercial - NoDerivs 3.0 Spain (by-nc-nd) license from Creative Commons, the full text of which may be consulted at https://creativecommons.org/licenses/by-nc-nd/3.0/es/deed.en. Therefore, the general public is authorised to reproduce, distribute and communicate articles as long as their authorship and publishing entity are acknowledged, and no commercial use is made of them nor derivative work produced from them. — The journal is not responsible for the ideas and opinions expressed by the authors of published articles.
