La sardana segons Joaquín Turina

Authors

  • Albert Fontelles i Ramonet

Abstract

This paper relates Joaquín Turina to Catalonia. On the one hand, it confirms the existence of a review of the sardana concept, properly separated from the cobla and consolidated in other musical areas such as symphonic music and chamber music. On the other hand, it presents the composer's point of view regarding the sardana and the cobla. From an analysis of Turina's «Sardana», we show the extent to which a composer's critical vision can be reflected in the creative vision of his work.

Published

2021-01-18

Issue

Section

Articles