Els magnificats de Joan Cererols i el context musical europeu del moment: una comparació amb el magnificat SWV 468 de Heinrich Schütz Authors Jordi Rifé i Santaló Abstract This paper is a study of Cererols' two magnificats for 9 and 10 voices, respectively, analyzing them, extracting their characteristics and setting them within the European musical context of the times, while at same time comparing them with the only magnificat conserved in Latin of the German composer Schütz. The following results are drawn from thestudy: the obvious stylistic difference between Cererols' two magnificats; the influence of composers such as Victoria, Palestrina, Gabrieli and Monteverdi on Cererols; the personal aspects shared by Cererols and Schütz; and the analogies and compositional differences between the two composers. Contribution: the possible entry route of the Roman-Palestrinian influence on Cererols; the contrast and justification of the analogies and differences between the instrumental palettes, the formal, textural and stylistic aspects, and the use of rhetorical-musical figures in the Cererols and Schütz magnificats; and the different interpretations according to their respective faiths. I conclude by demonstrating the Montserrat-Dresden-Venice/Rome triangulation, interrelating the radius of influences of the two composers. Downloads Text complet (Català) Published 2020-01-15 Issue Vol. 12 (2019) Section Articles License The intellectual property of the articles belongs to the respective authors. At the time of submitting the articles to Revista Catalana de Musicologia, authors accept the following terms: — Authors assign to the Societat Catalana de Musicologia (a subsidiary of the Institut d’Estudis Catalans) the rights of reproduction, public communication (including communication through social networks) and distribution of the articles submitted for publication to Revista Catalana de Musicologia, in any form and medium, including digital platforms. The Publications Committee reserves the right to accept or refuse submitted articles and the right to make any editorial changes it deems appropriate. If the suggested changes are accepted by authors, they should re-submit the article with such changes. — Authors answer to the Societat Catalana de Musicologia for the authorship and originality of submitted articles. In other words, authors assure that submitted articles do not contain fragments of works by other authors or fragments of their own previously published works; that the content of articles is original, and that the copyright of third parties is not infringed upon. Authors accept this responsibility and undertake to hold harmless the Societat Catalana de Musicologia for any loss or damage resulting from non-compliance with this obligation. Furthermore, they should include a statement in articles submitted to the journal regarding their responsibility for the content of the articles. — Authors are responsible for obtaining permission for the reproduction of all graphic material included in articles, and they should moreover ensure that images, videos, etc., have been created with the consent of the individuals appearing in them, and that material belonging to third parties is clearly identified and acknowledged as such within the text. Likewise, authors should provide the respective consents and authorisations to the Societat Catalana de Musicologia when submitting articles. — The Societat Catalana de Musicologia is exempt from any liability arising from the possible infringement of intellectual property rights by authors. In all cases, it undertakes to publish corrections, clarifications, retractions and apologies, if necessary. — Unless otherwise stated in the text or in the graphic material, the contents published in the journal are subject to an Attribution - NonCommercial - NoDerivs 3.0 Spain (by-nc-nd) license from Creative Commons, the full text of which may be consulted at https://creativecommons.org/licenses/by-nc-nd/3.0/es/deed.en. Therefore, the general public is authorised to reproduce, distribute and communicate articles as long as their authorship and publishing entity are acknowledged, and no commercial use is made of them nor derivative work produced from them. — The journal is not responsible for the ideas and opinions expressed by the authors of published articles.
