Sexualising differances Authors Anne Berger Cornell University Keywords: Jacques Derrida, Coreographies, differance, sexual diference, feminisms Abstract This essay interprets and draws up the dance metaphor used by Derrida in one of his responses to the questionings on the subject of feminisms by McDonald on Coreographies, the famous dialog between these two authors. The image of dance is the way to construct the derridian proposal of sexual difference. Downloads PDF (Català) PDF (Español) Issue No. 14 (2008): Maternitat a l'islam Section Miscellaneous License The Author retains ownership of the copyright in this article, unless the opposite is expressed, and all rights not expressly granted in this agreement, including the nonexclusive right to reproduce, distribute, perform, and display the article in print or electronic form, and grants, Lectora: revista de dones i textualitat the exclusive rights to print publication of the Article for a period beginning when this Agreement is executed and ending twelve (12) months after the first publicaton of the work in this Journal. After this time, the work will be available under a Creative Commons Attribution-Noncommercial-No Derivative Works license, by which the article must be credited to the Author and the Journal be credited as first place of publication. Beginning twelve (12) months after the article´s first publication, the Author is free to enter in seperate, additional contractual agreements for the non-exclusive distribution of the work as published in this journal. The Author is encouraged to post the work online (eg in institutional or subject repositories, or on their website) after the exclusivity period of twelve (12) months has expired, as it can lead to productive exchanges as well as a greater citation of the published work (see The Effect of Open Access).