"People Believe What They See": Clothing and Gender(s) in Victor/Victoria Authors Véronique Fernández Université de Genève Abstract Véronique Fernández explora el potencial subversivo de la práctica comúnmente conocida como “crossdressing”, a saber, la acción de vestirse con el atuendo del sexo opuesto. Para ello, la autora analiza la película Victor/Victoria (Blake Edwards, 1982), cuya protagonista es una mujer que trabaja en un night club representando a un hombre que viste como mujer. De esta manera, como el título del artículo indica, se (de)muestra que en cuanto al género “la gente cree lo que ve”, o mejor dicho, lo que quiere ver. Downloads PDF (Català) Published 2010-07-02 Issue No. 7 (2001): Dones i cinema Section Dossier License The Author retains ownership of the copyright in this article, unless the opposite is expressed, and all rights not expressly granted in this agreement, including the nonexclusive right to reproduce, distribute, perform, and display the article in print or electronic form, and grants, Lectora: revista de dones i textualitat the exclusive rights to print publication of the Article for a period beginning when this Agreement is executed and ending twelve (12) months after the first publicaton of the work in this Journal. After this time, the work will be available under a Creative Commons Attribution-Noncommercial-No Derivative Works license, by which the article must be credited to the Author and the Journal be credited as first place of publication. Beginning twelve (12) months after the article´s first publication, the Author is free to enter in seperate, additional contractual agreements for the non-exclusive distribution of the work as published in this journal. The Author is encouraged to post the work online (eg in institutional or subject repositories, or on their website) after the exclusivity period of twelve (12) months has expired, as it can lead to productive exchanges as well as a greater citation of the published work (see The Effect of Open Access).