Tomàs Milans i Godayol, escolà i mestre de capella del Palau de la comtessa (c. 1680-1714) i la seva relació amb Sant Josep Oriol Authors Josep Maria Gregori i Cifré Abstract Tomàs Milans i Godayol, a member of a family of Catalan musicians of the 17th and 18th centuries, was trained, with his brother Carles, at the choir school of the Palace of the Countess in Barcelona, which they entered around 1680. Tomàs succeeded his teacher Felip Olivelles as chapel master of the Palace, a position which he held until the tragic end of the War of the Spanish Succession, which forced him to take refuge in the Cathedral of Girona. The ancestors of Milans and of St. Josep Oriol were related. Josep Oriol oversaw the training of the young Tomàs who, together with the Palace choristers, witnessed the many extraordinary events that marked the latter years of the saints life. Milans, with the four choristers of the Palace, performed his Litanies of the Mother of God and F. Olivelles Stabat Mater at the foot of St. Josep Oriols deathbed. This paper presents the statements made by the former choristers of the Palau, Cosme Palmés and Anastasi Barberà, together with those made by the former choristers and musicians of Santa Maria del Pi and the Palace, including Francesc Oliva, Joan Feliu, Joan Baptista Vidal, Joan Morreres, Francesc Llussà, Josep Rossell, Pere Joan Clavell, Pau Rosés and also Pere Rabassa from Seville, in St. Josep Oriols beatification process, which began in 1759. Downloads Download data is not yet available. Downloads Text complet (Català) Published 2015-05-13 Issue Vol. 7 (2014) Section Articles License The intellectual property of the articles belongs to the respective authors. At the time of submitting the articles to Revista Catalana de Musicologia, authors accept the following terms: — Authors assign to the Societat Catalana de Musicologia (a subsidiary of the Institut d’Estudis Catalans) the rights of reproduction, public communication (including communication through social networks) and distribution of the articles submitted for publication to Revista Catalana de Musicologia, in any form and medium, including digital platforms. The Publications Committee reserves the right to accept or refuse submitted articles and the right to make any editorial changes it deems appropriate. If the suggested changes are accepted by authors, they should re-submit the article with such changes. — Authors answer to the Societat Catalana de Musicologia for the authorship and originality of submitted articles. In other words, authors assure that submitted articles do not contain fragments of works by other authors or fragments of their own previously published works; that the content of articles is original, and that the copyright of third parties is not infringed upon. Authors accept this responsibility and undertake to hold harmless the Societat Catalana de Musicologia for any loss or damage resulting from non-compliance with this obligation. Furthermore, they should include a statement in articles submitted to the journal regarding their responsibility for the content of the articles. — Authors are responsible for obtaining permission for the reproduction of all graphic material included in articles, and they should moreover ensure that images, videos, etc., have been created with the consent of the individuals appearing in them, and that material belonging to third parties is clearly identified and acknowledged as such within the text. Likewise, authors should provide the respective consents and authorisations to the Societat Catalana de Musicologia when submitting articles. — The Societat Catalana de Musicologia is exempt from any liability arising from the possible infringement of intellectual property rights by authors. In all cases, it undertakes to publish corrections, clarifications, retractions and apologies, if necessary. — Unless otherwise stated in the text or in the graphic material, the contents published in the journal are subject to an Attribution - NonCommercial - NoDerivs 3.0 Spain (by-nc-nd) license from Creative Commons, the full text of which may be consulted at https://creativecommons.org/licenses/by-nc-nd/3.0/es/deed.en. Therefore, the general public is authorised to reproduce, distribute and communicate articles as long as their authorship and publishing entity are acknowledged, and no commercial use is made of them nor derivative work produced from them. — The journal is not responsible for the ideas and opinions expressed by the authors of published articles.
