Les pintures murals romàniques de Sant Vicenç de Rus, història i iconografia Authors Montserrat Pagès i Paretas Abstract The author studies anew the iconography of these mural paintings (now in the Museu Diocesà i Comarcal de Solsona) and through the preserved vestiges tries to identify the figures that compose the celestial court of Christ. The main contribution is in relation with the two beardless young men, one of them holding a palm in his hand, depicted in the embrasures of the window (with the dove of the Holy Spirit at the top), under the throne of the Lord depicted in the vault. Formal and iconographical analysis demonstrates that they can not be Cain and Abel, as had been suggested. Their likeness with the martyrs of the Lamb and with the blessed that, according to Revelation 7, stood before the throne of the Lord, as in other Romanesque murals, argues for this interpretation. Downloads Download data is not yet available. Downloads Text complet (Català) Published 2017-12-18 Issue Vol. 25 (2017) Section Articles License The intellectual property of articles belongs to the respective authors.On submitting articles for publication to the journal Miscel·lània Litúrgica Catalana authors accept the following terms:Authors assign to Societat Catalana d'Estudis Litúrgics (a subsidiary of Institut d’Estudis Catalans) the rights of reproduction, communication to the public and distribution of the articles submitted for publication to Miscel·lània Litúrgica Catalana.Authors answer to Societat Catalana d'Estudis Litúrgics for the authorship and originality of submitted articles.Authors are responsible for obtaining permission for the reproduction of all graphic material included in articles.Societat Catalana d'Estudis Litúrgics declines all liability for the possible infringement of intellectual property rights by authors.The contents published in the journal, unless otherwise stated in the text or in the graphic material, are subject to a Creative Commons Attribution-NonCommercial-NoDerivs (by-nc-nd) 3.0 Spain licence, the complete text of which may be found at https://creativecommons.org/licenses/by-nc-nd/3.0/es/deed.en. Consequently, the general public is authorised to reproduce, distribute and communicate the work, provided that its authorship and the body publishing it are acknowledged, and that no commercial use and no derivative works are made of it.The journal Miscel·lània Litúrgica Catalana is not responsible for the ideas and opinions expressed by the authors of the published articles.
