Antoni Marquès, veritable pintor del retaule de la Santíssima Trinitat de la Seu de Manresa (1507) Authors Francesc Xavier Altés i Aguiló Abstract The cathedral of Manresa keeps an altarpiece with Catalan late Gothic paintings devoted to the Holy Trinity in the chapel bearing the same name, built between 1480 and 1484. So far it was believed to be the work of an obscure painter named Gabriel Guàrdia, coming from Manresa and hired in 1501. However, new documents show that this altarpiece was in fact ordered in 1506 to Antoni Marquès, a painter set in Barcelona and related to Jaume Huguets pupils; he completed it in 1507. Downloads Download data is not yet available. Downloads Text complet (Català) Published 2008-12-04 Issue Vol. 16 (2008) Section Studies License The intellectual property of articles belongs to the respective authors.On submitting articles for publication to the journal Miscel·lània Litúrgica Catalana authors accept the following terms:Authors assign to Societat Catalana d'Estudis Litúrgics (a subsidiary of Institut d’Estudis Catalans) the rights of reproduction, communication to the public and distribution of the articles submitted for publication to Miscel·lània Litúrgica Catalana.Authors answer to Societat Catalana d'Estudis Litúrgics for the authorship and originality of submitted articles.Authors are responsible for obtaining permission for the reproduction of all graphic material included in articles.Societat Catalana d'Estudis Litúrgics declines all liability for the possible infringement of intellectual property rights by authors.The contents published in the journal, unless otherwise stated in the text or in the graphic material, are subject to a Creative Commons Attribution-NonCommercial-NoDerivs (by-nc-nd) 3.0 Spain licence, the complete text of which may be found at https://creativecommons.org/licenses/by-nc-nd/3.0/es/deed.en. Consequently, the general public is authorised to reproduce, distribute and communicate the work, provided that its authorship and the body publishing it are acknowledged, and that no commercial use and no derivative works are made of it.The journal Miscel·lània Litúrgica Catalana is not responsible for the ideas and opinions expressed by the authors of the published articles.