L'Església i la sinagoga als murals romànics d'Abu Gosh (Emmaús) i de Sixena Authors Montserrat Pagès i Paretas Abstract In the Romanesque frescoes at Abu Gosh (Emmaus) in Palestine and at Sigena in the territory of the Crown of Aragon, there appears an extraordinary iconographic model, since it represents the church and the synagogue next to the crucified Christ. Both Abu Gosh and Sigena were monastic communities of the Order of Knights of the Hospital of Saint John of Jerusalem, built at the apogee of the order's power. These two paintings, which are stylistically quite similar, date from the last quarter of the 12th century those of Abu Gosh from before 1187 and those of Sigena from around 1196. This study focuses on the origins, use and expansion of the subject, and on its singular but identical depiction in the two monastic houses. Downloads Download data is not yet available. Downloads Text complet (Català) Published 2019-12-19 Issue Vol. 27 (2019) Section Articles License The intellectual property of articles belongs to the respective authors.On submitting articles for publication to the journal Miscel·lània Litúrgica Catalana authors accept the following terms:Authors assign to Societat Catalana d'Estudis Litúrgics (a subsidiary of Institut d’Estudis Catalans) the rights of reproduction, communication to the public and distribution of the articles submitted for publication to Miscel·lània Litúrgica Catalana.Authors answer to Societat Catalana d'Estudis Litúrgics for the authorship and originality of submitted articles.Authors are responsible for obtaining permission for the reproduction of all graphic material included in articles.Societat Catalana d'Estudis Litúrgics declines all liability for the possible infringement of intellectual property rights by authors.The contents published in the journal, unless otherwise stated in the text or in the graphic material, are subject to a Creative Commons Attribution-NonCommercial-NoDerivs (by-nc-nd) 3.0 Spain licence, the complete text of which may be found at https://creativecommons.org/licenses/by-nc-nd/3.0/es/deed.en. Consequently, the general public is authorised to reproduce, distribute and communicate the work, provided that its authorship and the body publishing it are acknowledged, and that no commercial use and no derivative works are made of it.The journal Miscel·lània Litúrgica Catalana is not responsible for the ideas and opinions expressed by the authors of the published articles.
