Les Pintures romàniques de Sorpe, noves interpretacions

Authors

  • Lily Arad
  • Montserrat Pagès i Paretas

Abstract

This paper proposes a new interpretation of a partly preserved scene in Sant Pere de Sorpe, based on an iconographical analysis of the scene, as well as its place and function in the decoration program. The two young men holding jars are personifications of the Jordan River in the scene of the Baptism of Christ, placed opposite the Crucifixion. Biblical, patristical and liturgical sources support this identification, which leads to a new and more coherent reading of the decoration program.

Downloads

Published

2006-07-19

Issue

Vol. 14 (2006)

Section

Articles

License

The intellectual property of articles belongs to the respective authors.
On submitting articles for publication to the journal Miscel·lània Litúrgica Catalana authors accept the following terms:
  1. Authors assign to Societat Catalana d'Estudis Litúrgics (a subsidiary of Institut d’Estudis Catalans) the rights of reproduction, communication to the public and distribution of the articles submitted for publication to Miscel·lània Litúrgica Catalana.
  2. Authors answer to Societat Catalana d'Estudis Litúrgics for the authorship and originality of submitted articles.
  3. Authors are responsible for obtaining permission for the reproduction of all graphic material included in articles.
  4. Societat Catalana d'Estudis Litúrgics declines all liability for the possible infringement of intellectual property rights by authors.
  5. The contents published in the journal, unless otherwise stated in the text or in the graphic material, are subject to a Creative Commons Attribution-NonCommercial-NoDerivs (by-nc-nd) 3.0 Spain licence, the complete text of which may be found at https://creativecommons.org/licenses/by-nc-nd/3.0/es/deed.en. Consequently, the general public is authorised to reproduce, distribute and communicate the work, provided that its authorship and the body publishing it are acknowledged, and that no commercial use and no derivative works are made of it.
  6. The journal Miscel·lània Litúrgica Catalana is not responsible for the ideas and opinions expressed by the authors of the published articles.