Arab Spring or long desolate Arab Winter? Autores/as Nadia El-Awady Ex-president of the World Federation of Science Journalists (WFSJ). Free-lance journalist, Leeds, UK Palabras clave: Arab Spring, Mohamed Bouazizi (Tunis, 2010), Egyptian revolution of 2011, Khaled Saeed (Alexandria 2010), Tahrir Square (Cairo) Resumen On December 17, 2010, a Tunisian street vendor, Mohamed Bouazizi, publicly set himself on fire in protest against the municipality confiscating the cart on which he sold fruits and vegetables. He had been slapped by a female police officer and the municipality refused to accept the complaint that he lodged against her. A series of events followed, leading to revolutions in Tunisia, Egypt, Yemen, and Libya and the ouster of their long-standing rulers. Much has happened since then. Tunisia looks like it may be on a road towards democracy. Egypt, on the other hand, seems to be facing a more questionable future. Three years on, she reflects on the current situation in Egypt, how it has affected her, her family, and those around her. The following is meant to be no more than the personal account, reflections, and opinions of one single individual who took part in the Egyptian revolution of 2011. It also includes her shortcomings. In no way is this to be considered a historical account or a political analysis of the events of the past three years. [Contrib Sci 12(2):99-107 (2016)]Keywords: Arab Spring · Mohamed Bouazizi (Tunis, 2010) · Egyptian revolution of 2011 · Khaled Saeed (Alexandria 2010) · Tahrir Square (Cairo) Descargas PDF (English) Número Vol. 12 Núm. 2 (2016) Sección Distinguished lectures at the AE-BKH Licencia This work is subject, unless the contrary is indicated in the text, the photographs or in other illustrations, to an Attribution —Non-Commercial— No Derivative Works 3.0 Creative Commons License, the full text of which can be consulted at http://creativecommons.org/licenses/by-nc-nd/3.0/. You are free to share, copy, distribute and transmit the work provided that the author is credited and reuse of the material is restricted to non-commercial purposes only and that no derivative works are created from the original material.
