The Modernist Visual and Plastic Arts in the Catalan-speaking Lands Authors Francesc Fontbona i de Vallescar Abstract Studies on Catalan Modernism got underway shortly before the Spanish Civil War but did not become widespread until about 1950, when the books Modernismo y modernistas by J.-F. Ràfols and El arte modernista catalán by A. Cirici Pellicer were published. Substantial biographies of Gaudí appeared from the start but some considerable time was to pass before in-depth studies of most of the key figures of Catalan Modernist Art were undertaken. In 1969 a major official exhibition was devoted to Modernism and in the 1970s there was an outburst of research into Modernism in fields including art and literature. In the 1980s major exhibitions on Modernism began to the staged in countries such as England, Japan and Sweden and were boosted by the presence of the names of Gaudí himself or the young Picasso, both of whom arose from the core of Modernism. Monographs with catalogues raisonnés have appeared on various Modernist painters: Anglada-Camarasa (1981), Santiago Rusiñol (1995) and Ramon Casas (1999), while new overall exhibitions have been dedicated to Catalan Modernism (1990) and Valencian Modernism (1997). Between 2002 and 2004, knowledge about Catalan Modernism and its background was condensed into five volumes comprising contributions from some eighty specialists. Downloads PDF Published 2009-05-21 Issue No. 1 (2008): Catalan Historical Review Section Contents License Submission of a manuscript to Catalan Historical Review implies: that the work described has not been published before, including publication on the World Wide Web (except in the form of an Abstract or as part of a published lecture, review, or thesis); that it is not under consideration for publication elsewhere; that all coauthors have agreed to its publication. The corresponding author signs for and accepts responsibility for releasing this material and will act on behalf of any and all co-authors regarding the editorial review and publication processes.If an article is accepted for publication in Catalan Historical Review, the authors (or other copyright holder) must transfer to the journal the copyright, which covers the right —not exclusive— to reproduce and distribute the article including reprints, translations, photographic reproductions microform, electronic form (offline, online) or any other reproductions of similar nature. Nevertheless, all articles in Catalan Historical Review will be available on the internet to any reader at no cost. The journal allows users to freely download, copy, print, distribute, search, and link to the full text of any article, provided the authorship and source of the published article is cited. The copyright owner’s consent does not include copying for new works, or resale.In these cases, the specific written permission of Catalan Historical Review must first be obtained.Authors are requested to create a link to the published article on the journal’s website. The link must be accompanied by the following text: ‘‘The original publication is available on LINK at http://revistes.iec.cat/chr/. Please use the appropriate URL for the article in LINK. Articles disseminated via LINK are indexed, abstracted, and referenced by many abstracting and information services, bibliographic networks, subscription agencies, library networks, and consortia. ISSN: 2013-4088 (electronic edition); 2013-407X (print edition)